Correspondence ancestors (Hu Peiheng 1892.6 - 1965.3 spectral famous tin Quan, also known as scale, the word Pei Heng, cold, um, nicknamed confused Fecteau, in word, Mongols, origin of Hebei Province Zhuoxian, because merchants, moved to Beijing. Successively in Beiping normal, private in North China, Beijing Normal University, North Ping art full-time faculty, hosted the "Chinese landscape painting society", and in Beijing Liulichang founded leopard the painting and calligraphy studio store. Former Chinese painting study and Lake painting and Social Council, North University Professor, Beijing Normal University, lecturer, Beiping art college professors. The new China founded, served as president of the Beijing Chinese Painting Research Association executive director. Beijing Painting Academy painter and fellows. Hu Peiheng young hi paiuting, early Xiling landscape painter Li Jingzhai pointing. A lot of copies after the age of 20 of paintings of the Ming and Qing Dynasties began with Beijing artist such as Jiang Yingsheng, alias Lin Qinnan, Jincheng, Chen Shizeng, Chen banding, Xiao Qianzhong, Tang Dingzhi. He Lu of intercourse, and get their guidance. In 1918, Hu Peiheng join established by Cai Yuanpei Peking University descriptive research, from the Belgian painter cover Tuas western, 1919 was hired Peking University descriptive research mentor, and edited < painted Journal >.1920 years descriptive research in Peking University will be renamed "art research", the young Building in the album published in monthly draw and equally,,,.1927 (Peiheng, Zhou Zhao Xiang Hu Peiheng was hired as a tutor. In the same year, Jincheng in Beijing founded Chinese Painting Research Association, Hu became one of the first group of fellow students, in Jincheng, under the guidance of the further study of traditional painting, after two years, have been promoted to the assistant, the Council and the gold Yinhu Xu Yansun Donghu Chen Hui filial piety launched Lake community, edit < Lake Community >.1928 jienang for Qi < Qi Baishi first episode >.1930 years Hu Peiheng < North Plato died around (in) Chi > poem wrote: "four years off the dream into dust, each pair of autumn Chuang God. Today, clean and bright Write in the amazing list > < list > < (Guihai endless scroll of Xi Shi Tao (1861 early Peiheng to discuss text anyone. "That Hu Peiheng and Jincheng friendship between teachers and students. Known as Beijing Painting" the majority of the leader "Jincheng" fine ancient research method, to absorb new knowledge "as the principle to guide a large number of young artists, to Hu's oldest and most precocious. See Hu Pei Heng Lin ancient works, 1921) pro < mountain >, 1923) Lin Shi Tao's landscape. The former ink dripping, the latter of strokes and majestic. Hu's Pro Shitao's landscape in the title:" Qing Xiang pen and ink for the elderly, the artistic conception of abstruse, Xun non food earthly fireworks can dream of. This book, most of the yellow ink Brigade Nanzong, deposit and draw Hu Hu Peiheng Peiheng medium, Chen banding, left, swim to can be amazing, fool love, diffuse a temporary copies to save sketch. However, limited to academic ability, inevitably take appearance of God. "In 20 in the early 1990s, Qi Chen Shizeng, Xiao Qian are respected Shi Tao, Hu could not avoid them. But can compatible with Chinese and Western painting, never arrested in a school. From the 1920s to 1930s successively published < Peiheng > to sets mostly Pro imitation of various factions of the works, including Huang Gongwang, Wang Meng, Wu Zhen, Shen Zhou, Wang Duo, Cheng mysterious Cheng zhengkui, Stony Brook, Mei Ching, Wu Li, Luo mu, can be seen in his, but > < North Ailin li-guo school belong to the Fu Shan Li also dabbles in the north, such as pro < Pro gold mountain snow pine plots > (1923), < Song snow Creek Sao Map > (20 in the early 1980s) are typical works. He also said: "more than painting, the painting kept the first three set first and width are all North sect. And more than Nanzong painting, northern Zong Yi Yan." in the near ancient Chuyan the he the ancients works according to descriptive style of quiet light (such as Ni Yunlin faction), Pingzheng (such as Huang Gongwang faction), Zhuang whole (such as the Dong yuan, Ju ran, Wen Zhengming, Shen Zhou), Suimi (such as Wang Meng, Shi Xi Wu Li), bold (such as the eight, Shi Tao), clear (such as Tang Yin, Yun Nantian). Increased with remembrance. See the picture of Mr. cold.1926 explained by, (such as Jin Dongxin Qigu (such as), Qiao Jian (such as horses, Xia Gui workers Liu Songnian Zhao Mengfu, misty rain, such as Mi Fu, Gao Fang Shan). For every kind of style how the pro write, he combined with his own experience, you can see the copy of the profound understanding, Qi < um > poem: "level clear point painters, Rev. People worry no front his gallery 3000 generation, each read the Weng." of his works to be praised. About 1927, Hu Peiheng painting matures in continue to study traditional, independent creation, artistic personality is also presented. Wraparound "comes in. Jane and fine works after probably has two faces, one kind of structure is complicated, the hook and cracked, generally from Wang Meng, Stony Brook, Wu Li a style change; a wet pen, the structure is complicated, with ink and pen line stout, with forceful bold cases, can see Shen Zhou special don't is Shi Tao Qin Zhongwen 1962 August in Beijing organized by Hu Peiheng posthumous Exhibition", with two words Hu Peiheng early works: one is "fine cute", said, "continue to inherit the ancients and absorption of advanced pen ink fine wonderful techniques", before a sentence is about style painting, a sentence is to point out them with traditional closely related. Guilin seek to says, but Qin's early "fine" works, is the exhibition, I see more than 200 pieces of previous works, "fine" as not many, even if these fine works, with longitudinal and random characteristics, can be said to coarse to fine, regardless of size, are overflowing with longitudinal Yat unrestrained temperament. In the 1950s, Hu Peiheng painting style has to Shacheng railway along (1953), Guilin, Guangxi and Hunan Shaoshan (1956) sketch. The sketch to strong warm for the case has become old age style turning point. Such as Qin Zhongwen said: "write the landscape in Guilin and the brushwork of the spicy, weather Mao often in. Thick, natural indigo thick and Danhuang charm, show escapade Xiongqi, and in all the old picturesque scene, to his pursuit of innovation achievements. Specifically, this new style is characterized by: composition simple, like to take close ups, no longer have the well scene; thick ink, a powerful Mexican coke hook cracked stipple; like to use strong contrast colors, such as azurite and malachite, lead powder, magenta. In a nutshell, these works with heavy color and freehand brushwork in traditional Chinese painting, unique Hu Peiheng on their own "bad years reform" is also very satisfactory, there is a poem said: "marigold yellow after years, the decline in reform gas into the sky. The setting sun infinite spring, the tree hill For the youth of the painting by Wang shigu appreciation and research techniques of landscape painting, landscape painting, painting cold, chats on painting fan Hu Peiheng painting micro Jue of descriptive Wang shigu entry of landscape Chong late more Yan. "Hu Peiheng achievements, far more than in the landscape painting creation. He is knowledgeable, refined taste, good at poetry, writings, in the fine arts education and editing and publishing fields are renowned for their contribution. The book is < >,< Chinese landscape painting arrangement law >, < Chinese landscape painting moss >, < essays >, < near ancient Chuyan nunnery in the nil - > < me how to draw > < >, < Qi Baishi painting >. These works mainly object, financial Huapu, art history knowledge and traditional painting Respectful Wang shigu descriptive theory, studies the painter and works appreciation, the combination of simple and readable, is a kind of new comprehensive popular books, with distinct characteristics of the times, published after extensive influence. These popular book, also there is no lack of penetrating insights. Such as in 20 years mid < Wang shigu Jue - >, responding to "in the past people such as Peter, this man refused so" situation, objectively fair, radical criticism. From the Wang shigu art history, near the ancient theory of painting, each comment, the school change, the works of "good" and "bad" and other point of view, a comprehensive analysis Hu Peiheng founded < < <. Hu Peiheng art appreciation and Tuo read, even today, is still very exciting. He and his son Hu wrote < Qi Baishi painting >, is the first account of Qi Baishi painting works, has a very high historical value and is a good editor, editor in chief has Beijing University descriptive study painting magazine >, Beijing University Art Institute of < Art > and lake community lake monthly magazine. Especially Lake monthly magazine >, from 1927 to 1937 in 10 years a total of 100, is the 20th century half leaf adhere to the time the longest art publications, always by the editor. The journal presents many ancient and modern painters. Published a large number of ancient and modern paintings and work on painting, and calligraphy, seal carving, antique collection, poems, bronze research, fully demonstrated the Hu Peiheng broad vision and the ability. These publications has become the study of 20th century Chinese art history precious literature. Hu Pei Heng is published in Qi's friendship between generations.1928 first of Qi Baishi album is Hu Peiheng editing, he in the preface to the < > praised "Qi of outgoing, like any man, ancient martyrs wind", "works of artistic conception of the profound and novel". In the early 1990s, Hu Peiheng in Liulichang founded "leopard Wen Zhai", an Dong Shu, published the many books of album Membership, in addition to Hu's own writings and < large wash landscape fine print > and < yellow Zijiu Fuchun mountains > and < Qi Baishi album >, < Xiao Qianzhong lessons believers sketch >, < Xiao Qianzhong landscape fine book > and so on, has contributed to carry forward the Chinese painting and calligraphy.